Last week I swung by Hollywood-based Titmouse Studios to have
lunch with Shannon and Chris Prynoski, or Chris P as he’s known in animation circles. You know his work from ‘MTV’s Downtown’ and ‘Megas XLR’ and the awe inspiring hallucination sequence from ‘Beavis and Butthead Do America.’ You’ve also seen Chris’ stamp on Velvet Revolver’s recent music video and in ‘The Osbournes’ title sequence. And now he and his wife Shannon have added Flash into their production pipeline.
Their expansive, still-being-fleshed-out studio is now home to Brendon Small’s (‘Home Movies’) Adult Swim show – ‘DETHKLOK: Metalocalypse The Prophesy Of Metal A Metal Dynasty Operation Metal,’ as it’s tentatively titled. The show was co-created by Tommy Blacha, who wrote for ‘Conan O’Brien.’ Adult Swim is touting it as “Spinal Tap meets Scooby Doo meets Norway.” Yeesh! Talk about formula. All kidding aside, from what I saw while touring Titmouse, ‘Dethklok’ looks hysterical and abundantly metal.
Chris and Shannon seem to have built
their studio for exactly this type of project. They’ve got a brand new recording studio, a comfortable Final Cut editing suite and some of the best Flash talent in the city. It’s this type of all-under-one-roof method of production that allows Titmouse to keep the animation state-side on a 20-episode series.
Beyond animation, Titmouse is also about breakin’ shit. If you’ve ever attended a Titmouse Smashing Party, you know of what I speak. It’s random destruction as an excuse to have a party, and the video from last October’s event says it all. And I also have it on good authority that the Prynoski duo are planning an Animation Studio Ping Pong league. The plan is to pit LA animation shops against eachother in a battle for the coveted Titmouse Table Tennis Trophy.
Okay, I made up that last part, but it sounds like a perfect excuse for a t-shirt competition.
If you’re interested in more ‘Dethklok’ info – check out Brendon Small’s MySpace site, his metal MP3′s, the Film Force article and an article in the Daily Nebraskan where Small breaks it down.
If you’re in the market, Titmouse is actually looking for Flash animators. Email Keith@titmouse.net for more info.






new Flash-animated series from the Williams Street team, premiered last night on Cartoon Network’s Adult Swim. It’s a fast-moving, highly-entertaining romp through the mountains of Georgia, where a giant, man eating snake lives next door to a squids. While the animation is simple, the gritty, hand-drawn character line work set against the almost sloppily painted backgrounds give the show a refreshing and new look.
classic film ‘Raising Arizona,’ complete with what appears to be an homage to Nick Cage’s character – the show lead is named ‘Early’ Cuyler. And the humor is on par with ‘Arizona.’ In the first episode, titled ‘This Show is Called Squidbillies,’ the sheriff is in Early’s house getting a haircut, and he confronts Early’s sister, Lil, about what appears to be a moonshine rig:
from the talented Atlanta-based Williams St. studio. The show follows Stroker, “a private eye still mastering the art of sleuthing, and his partner Hoop, self-proclaimed master of disguise. Together with their disobedient talking hatchback C.A.R.R., they’ll help anyone dumb enough to respond to their 1/8-page ad in the yellow pages.” The show is written and created by Casper Kelly and Jeff Olsen, and 6 episodes are currently in rotation on Adult Swim, with 6 more on the way in November. Three short episode clips are currently available for viewing at the Adult Swim
creators, Dave Willis and Matt Maiellaro have been hard at work preparing a
promo clips from the
North America all the way to the Ohio Valley. As the ocean receded to form our present-day geography, a family of squids was stranded in a remote setting in the North Georgia mountains. This motley melange of mischievous mollusks, influenced by the rural ways of the redneck locals, quickly “adapticise” to a world of fighting, feuding and fornicating with a Faulknerian flambĂ© of ferocious sea creature livin’. The humor lies in the “adapticization.”





