For Nickelodeon Australia, Renmotion has animated this short below, titled Dirk Breaka. The voice of Dirk was performed by Australian comedian Shaun Micallef. It’s quite a unique look that the Renmotion team has cooked up. According to Suren Perera, the director/writer/producer, they used a mixture of symbol tweening and frame-by-frame techniques within Flash 9.
by Bernard Derriman
AN INTERVIEW WITH BERNARD DERRIMAN
Since it first appeared in 2004, Bernard Derriman and Arj Barker’s online, 10-episode series Arj and Poopy has enjoyed a large online fan base and numerous awards, including the 2006 internet trophy at Annecy.
The first 9 episodes featured Arj, an animated version of Arj Barker, and his cat Poopy who speaks in farts. But then episode 10 surprised us with a new character - the neighbor’s dog Bouncy, who is voiced by Johnny Brennan who plays Mort Goldman on Family Guy. As with all Arj and Poopy episodes, Congo Windfall is filled with Derriman’s lively character animation, a skill he honed at Disney Toon Studios in Australia. Bouncy’s musical performance is one of the most engaging sequences of animation to ever crisscross the information superhighway. I challenge you to watch Bouncy strut his stuff without a smile on your face. 
I mean, when he aims his backside at the camera and starts spinning - it’s nothing short of priceless.
Fact: series co-creator Arj Barker currently plays the role of Dave on HBO’s Flight of the Concords, but to learn more about Bernard’s latest adventures, read on…
AARON: Had you and Arj always imagined Bouncy as part of the Arj and Poopy world?
BERNARD: No. Arj and Poopy has been a pretty organic thing, and it’s been constantly growing. After a bunch of shorts with just Arj and Poopy, we were keen to expand their world a little. Arj and Poopy are very sweet characters, so I thought it would be fun to introduce a character with a little more bite to shake things up a bit. 
That’s when we came up with this mistreated dog from the apartment next door, who always wants to hang out with them. I’ve been a big fan of Johnny Brennan for a long time now, and he was a big inspiration for the character, so once he came on board Bouncy was born.
AARON: How did the concept for the Congo Windfall episode come about?
BERNARD: I planned for the next episode to showcase Bouncy, and I wanted to give him a really big entrance. I thought it would be fun to have a big dream sequence in front of a massive crowd, and in doing so show a bit of his character - very loud and full of himself. Then I reverse-engineered a regular Arj and Poopy episode before Bouncy’s big entrance. I used Arj’s joke about the spam because it was short and sweet, and perfect to open the episode like any other Arj and Poopy.
AARON: When did you create the Bouncy introduction video?
BERNARD: We created that around mid 2005, when we first developed the Bouncy character. Arj came up with the name Bouncy, so the first thing we did was to create a lame theme song for him, like the Arj and Poopy theme song. Arj came up with the “he bounces here and bounces there” rhyme, and then we started making up a whole bunch of verses on the spot - ridiculous stuff like the ogre’s mouth was Arj ad libbing while we were recording. I also liked how it had absolutely nothing to do with his character - we never intended Bouncy to actually Bounce. So these little shorts became a teaser for Bouncy in the series, but featuring a Bouncy that would be different in character to the one you’d see in the show. I thought by doing that he would have more of an impact in his first episode when you see he’s totally different.
I had actually forgotten about these, I might have to do some more - we’ve got about another 15 verses to go!
AARON: What was your reaction when you heard that Congo Windfall had won the Flashforward Film Festival last year?
BERNARD: I was stoked. Adam Phillips always submits stuff to Flashforward and he’s the one who told me about it. And when you go to his house you keep tripping over all these cool rubber arrows. I was always missing the submission deadlines, and Congo Windfall was the first time I got around to getting something in on time.
AARON: Has the Arj and Poopy series come to a close?
BERNARD: No definitely not! It’s just I’m really busy and I don’t have the time to work on them like I used to. It was cool at Disney, because I’d work 9 to 5 in there and then at home I’d have time to do A+P. But now I work from home I’m animating on other stuff 24/7, and I could always be doing more, so there hasn’t been any time left for it. 
But the site’s still up, we’re still selling Arj and Poopy t-shirts and Arj and I are always bouncing around ideas for new episodes, so the series is still alive!
And work has finally begun on a new episode, so stay tuned…
AARON: You mentioned in our 2005 interview that you might create an Arj and Poopy DVD at some point. Is this still in your plans?
BERNARD: Probably not as I imagined it in 2005. Another thing I’m doing at the moment is developing the show as a half hour series, putting together a bible, etc. Making it a series has always been our goal. So whether they’ll turn up as an extra or a main feature, I hope the current episodes will make it to DVD at some stage, in some shape or form. I just need to do a few more…
AARON: What are you currently working on?
BERNARD: I’m Animation Director on a kid’s series out of Colorado called Big Green Rabbit. It’s a combination of animation and live action. We’ve just wrapped season 1 and there are a few more series in the pipeline. It’s currently screening on Rocky Mountain PBS in Colorado and they’re hoping to roll it out across the country soon. It’s a fantastic show and has been just awesome to work on - animating to kid’s songs and animating characters interacting with live action. I also designed the main live action character, Charlie, the Big Green Rabbit himself. Each episode has new characters and new challenges, so it’s been a lot of fun to work on.
I also collaborated with Adam Phillips for the first time, on a TV series that is a spin off of a movie called Kenny. It was a huge hit down here and I think it’s just opened in a small amount of cinemas in the States too. The show is live action but there’s a little bit of animation in it. I directed and did the character animation while Adam did the backgrounds, effects and compositing. It was awesome working with Adam and we’re hoping to do a lot more together in the future.
AARON: Readers, don’t miss the 2-part CHF interview with Derriman from 2005.
Sydney-based Tui Studios has released a trailer for their upcoming online fantasy series - The Heresy Saga. The video was produced with Flash 8 and After Effects, with the exception of the final shot, which was created with Anime Studio Pro. The series is being directed by Kelly Baigent, who worked at Walt Disney Australia as the Unit Director on Lilo & Stitch 2: Stitch has a Glitch.
For more details on the project, check out the series blog.
Ole-Magnus Saxegard, a student at Sydney-based University of Technology (UTS), has found his Flash-animated documentary plastered on the homepage of YouTube. A History of Evil is an unfinished 6-minute film that trips from ancient Greece to modern times in search of the true meaning of “evil.” After animating frame-by-frame in Flash, Saxegard composited the film in After Effects.
Dave Collinson, a 20-year old animator living in Brisbane, Australia, created this short, Flash-animated lip sync test below. For his soundtrack, Collinson used a 30-second clip from the 90’s British comedy Men Behaving Badly.
Australian animators Steven Smith and Xue-Sen Wong, alongside fellow countryman Gary Clark, have their sites set on a potential TV series. Clark’s syndicated comic strip Swamp appears in newspapers throughout Australia, New Zealand and Europe, and now his two animator pals are helping bring the project to life. Here’s a sample Flash-animated clip titled Dumb Rat the animators cooked up, hoping to help usher the project closer to a TV series.
Back in October, CHF posted Chris Voigt’s surreal Space Duck. Voigt, who hails from Australia, is back with a narrative piece titled The Horseman Show. In his first episode, Horseman welcomes Captain Manlove, who fires off his mouth-laser after his honesty is challenged.
